John Ringling evidently was a man of such few words that when I googled him I came up with only these words associated with him
” John Ringling, Master of the Big Top!”
Follow your Destiny
Running away to the Circus deserves a long dissertation, but really, this is one of those experiences where words just fail to accurately describe feelings. How can I convey the colors, the smell, or the weirdness the Circus embodied for me.
The Big Show
Close up at the bead work
The Elephant Throws
Vintage Circus Equestrian
Fancy hats, plums, and beads
Master of Ceremonies
It was never my favorite place.
Band leader’s Drums
Plenty an Elephants foot has stood here, and maybe a lion, or tiger, or two
Oh yes, the Clowns . . .
Other than the food, and a few cool rides, I really always felt it was dirty, dingy and filled with weird anomalies that never appealed to me. Animals in cages, and the such, just seemed unnatural, it still does.
Gorgeous Antiques on Display
1st moving picture show
scantily dressed little girl beckons you in ….
and then, oh yes, more clowns . . .
Great embroidery detail
Love the sequence
All about the costumes ,. ,. ,
Nonetheless, a visit to the Ringling Museum and Ca’ D’Zan proves plenty of people differ from me in their feelings about the Circus. Especially the Circus Vehicles . .
Tom and I recently escaped South and along our travels we stopped in on Ca’ D’Zan and the other Circus museums.
I love Ca’ D’Zan for the photographic opportunities it offers, and if you’ve never been there it is worth the admission to check out this collection of Circus memorabilia. The Ringling Mansion with it’s ornate furnishings and art collection, great views, rose gardens, and the breathtaking terrace at the back of the house that looks out onto the open sea, is sure to leave a lasting impression.
The Rose Gardens
Here are some of the images I captured on my visit.
Tiled artwork on ceilings
Fabulous collections of antiques
Pastel tinted windows
Unbelievably gorgeous lighting
Great detail in everthing
Curtains and tassels . . .love, love!
picturesques objets de’ art strategically placed to catch the light, and your eye.
Stain glass sky lights
Ooh’ la la lights
A piano from the inside out it’s a piece of art
and more of those lights . . .
The Terrace as seen from inside the house through a small windowpane
John Ringling himself
and yet another lovely light
Hmmmm, what a kitchen
yep, eat in . .
Appliances of the day
another escape nook
The lounge . . .
Ceilings were not overlooked in this house
yet another nook for entertaining and feeding guests
warmth of wood, contrasts with the black and white marble tile, and the gold leafed mirror
There are times when I long to retreat into nature. I particularly enjoy immersing myself in the woods. The trees tell me a story of survival. Their scars speak to the assaults they have survived.
Swirled patterns in a fallen branch
Protrusions from severed limbs . . .
The Heights . . .
Beyond loving the adventure of finding an almost undisturbed patch of woods in the city area, I particularly enjoy the colors, the textures, the unique forms and lines of the vegetation. In their higher mystery of being, if you listen and look carefully, the trees will reveal letters and numbers.
N = Nature is awesome
M= Mo or X f= Xanadu
See the M? V? What do you see?
Roman numeral = 11
X = kisses
Roman numeral = 12
This particular place is close to where I live and is thick with trees, it’s a rarity that I know will not be available very long. I try to visit it often, always hopeful that it will still be there.
Inner City Woods
It’s a perfect setting for afternoon teddy bear tea photography settings. . . .
With just a wee bit of imagination you can visualize tree fairies, wood nymphs,
Tom and I took some much-needed R&R time for ourselves after Saturday’s super secret shoot and drove South. I haven’t even begun to process the images I took but I have a new location in mind for my next shoot. This place is perfect for a wedding photo session. We had a great time, the trip was fun, and we spent hours roaming and exploring, until a strong thunderstorm ran us off. We changed out of our wet clothes in a public bathroom, and stopped for a scrumptuous dinner at Leroy Selmon’s before heading back home. I was really proud of Tom’s pictures this trip. He captured some really dramatic shots. He snapped a few shots of me just before the skies broke open with rain. This series was blown out, but I asked him to let me work some magic on them and voila’ it’s a masterpiece. Can you guess where we were shooting?
Unfortunately, I couldn’t keep the high number of images posted here for an unlimited time because I am close to running out of storage space for my own photographs. I have two big shoots this weekend in Lakeland, and would have to buy more space to post those images. Virtual space isn’t cheap! Beside’s, Daiana’s work should be viewable on her own site. Let me say, that Daiana is the only photographer I would shoot with.
Image by Marylia (Mo) Garcia, Pixlexia Photography. Taken at Melissa and Tom’s Wedding on Captiva 2/16/2013
I met with Diana to review with her how to upload and manage her images on her blog, which I had created for her about a year ago. The photo of Daiana I used for her header is one I took of her at picnic island a few years ago. and one of my favorites. Daiana is one of my favorite subjects to shoot, because I always capture terrific images of her.
Other than the mentoring Tom gave to me, no one has helped Daiana or me, as we moved along in our photography. When I started taking pictures, it was just for fun and all I wanted to do was take pictures. I was fascinated with uploading and viewing the images on my computer screen. I really was not interested in printing. I had no idea that there was a difference in printing qualities, or the importance of color management. I assumed everyone would be satisfied with taking the images I gave them on a disc to Walgreens or CVS to have printed. As I began to explore applying effects, and doing other alterations to my original images, I realized that controlling the quality of the final printed image is imperative. At least for the type of work I strive for. I like to shoot files that can be blown up to 30X40 sizes and these can’t be handled at a Walgreens. I just don’t want my work associated with a Walgreens type of product.
I also refuse to hand a client discs containing 1000s of images. This just overwhelms the client, and truly is not professional. I find it a better experience for the client to give them a pre-selected collection of 200 – 300 images, and perhaps an already laid out photo album or book.
Image by Marylia (Mo) Garcia, Pixlexia.com Image by Marylia (Mo) Garcia, Pixlexia.com As much as I didn’t want to mess with printing, my clients wanted prints. They demanded prints, I had to provide a way for my clients to obtain prints that would be of the caliber and quality I want my work associated with. I spent a lot of time and money, working on this and found a few excellent sources for prints. I shared one of my sources with Daiana, but she is sworn to secrecy and if she is smart, she will remember that no one helped us and won’t divulge the sources. If she does, I won’t share anything else with her 🙂 And I have other sources 🙂
IMAGE by Marylia (Mo) Garcia, Pixlexia.com
Daiana is a very good photographer and should do very well with her work. She has a spontaneous and artistic eye, and her images are well composed. Daiana and I both are passionate about our work, and really became focused after taking a digital photography class at the museum of photography in downtown Tampa.
Of course, my mentor Tom Feazel has taught me so very much about photography, and through his influence I have developed a special interest in architectural photography, which influences the compositions of my portraiture work as well as other shoots. Although I want to work with other photographers, I understand the importance of maintaining a particular style that I am trying to achieve. Shooting with others sometimes waters down a photographers style, and that is something to be cautious of. I don’t want to be influenced by someone else’s ideas of how I should capture or where I should position my subjects, and likewise I don’t want to push my views on anyone else. All in all, this was a great experience.
When Sara approached me to shoot Melissa’s wedding I immediately thought of inviting Daiana Adams to come along as the second shooter. I’ve shot with Daiana before and it’s always an enjoyable experience, with us both coming away with contrasting images. To be honest, I was a bit uncomfortable taking on this out-of-town-wedding-shoot by myself. I mean, what if I missed important shots, and setting up a second or third camera on a tripod would be very hard to manage alone. I’d be distracted worrying about my equipment, etc. I felt that bringing Daiana along, would ensure we didn’t miss anything. And I was very happy when she immediately came on board. Between the two of us, we managed to cover all the angles. It was a great shoot. We have quite different photographic eyes. I took a photo-journalistic approach documenting the wedding as it unfolded from preparation to end, and capturing the architectural features and flavors of the day. Daiana’s shots captured special moments between the couple, great group shots, and spontaneous shots with the kids and guest.
image by Daiana Adams Photography
image by Daiana Adams Photography
image by Daiana Adams Photography
I am grateful to both, Sara Primeau for giving me the opportunity to do this, and to Melissa and Tom for trusting their special event to my hands. I hope I did not let them down.